Waleed Aly won the Gold Logie last night for best Australian TV personality. And he deserves it. Indeed, if I voted in such things, I'd have voted for him. Congratulations, Waleed.
But Aly is a lighthouse in the current ocean of televised mediocrity. Even the awards ceremony was awful. I lasted about five minutes before I shut the door. And I wasn't even watching them - only listening. My wife switched them off two minutes later.
So much of the so-called "talent" on TV these days have had their fifteen minutes. And many of them shouldn't have had that much. Where are the quality actors, writers, directors and producers? And not every person on television is a "star". Even fewer are "superstars".
But this acceptance - nay, encouragement and reward of mediocrity extends well beyond the world of television. I've picked up books by people who can't write, edited by people who can't edit. Not everyone is a writer. Not every person who writes deserves to be published. And not everything we write should be shared with the world.
Which is why I've chosen not to self-publish. It certainly has its place, but I believe new writers need to achieve a level of recognition and validation (through editors and established publishers) before heading down that track. And there's a wonderful need for a trunk - for all those stories that have been rejected everywhere.
In a discussion like this someone usually mentions Andy Weir at this point, or Hugh Howey. Of course there are exceptions. There always are. But naming a few successful self-published writers out of the millions and millions means little. The e-world is drowning in self-published mediocrity (or plain awfulness) and we simply don't need any more.
I admit it. I don't read self-published work. I tried with a couple of pieces that were recommended to me, and they simply weren't very good. I might pick one up again if someone I trust were to rave about something they'd found. That raving endorsement has never happened to me yet.
Let's be clear. This isn't an attack on self-publishing. I know some writers who swear by it, and I know some who have had great success through it. It's not for me, though, and I suspect it's not for the majority of writers who out every word they write up online.
There's too much whitenoise. Too much crap. It's difficult to sort the chaff from the wheat without a recognised imprint. But its our fault. We reward mediocrity. We tell our friends, our kids, our colleagues that they are outstanding, no matter what they do. We accept and watch film and television that is average, we read books that are average, and we give them four stars on IMDB or Goodreads.
It's time to start being honest. Not hurtful, not attacking, but to stop rewarding work that is just not very good. Don't give five stars because you know the author. Don't give five stars because it has a character/theme/storyline that doesn't get enough "airtime". Don't give four stars because it's comedy SF from Australia, or because really we don't get enough of either and want to encourage it. Give it the two stars it deserves and explain your reasoning in the comments.
Save the five stars for work that moves you, makes you think, work that pops into your mind a month later.
Showing posts with label awards. Show all posts
Showing posts with label awards. Show all posts
Sunday, May 8, 2016
Mediocrity rules. OK.
Labels:
andy weir,
awards,
goodreads,
hugh howey,
imdb,
logies,
publishing,
ratings,
self-publishing,
waleed aly,
writing
Tuesday, April 12, 2016
Congratulations Jason.
And so my story, Lodloc and the Bear, didn't win the Aurealis Award for Best Fantasy Novella. That honour went to Jason Fischer. Congratulations, Jason. Well deserved.
It was an honour to be shortlisted for an Aurealis Award, and it was amazing to have been a finalist along with so many great names - writers I admire and some whose work I have been reading for longer than I can remember. It was a real thrill to have had my story considered worthy.
Awards are a funny thing. Most writers will tell you they're not that important, that they're not the reason we write. Which is certainly true in my case. But they are something many of us long for. I know I would love to receive an award or two. Writing is a solitary endeavour, and contact with our reading audience can be minimal. We might receive an encouraging note or an email, usually from someone we know. We might even be lucky enough to get a positive mention in a review. But an award or nomination, especially for a jury-judged award like the Aurealis, gives us some sense of validation. It makes us feel like maybe we can do this, and maybe we can do it reasonably well.
Many writers, myself included, live with nagging self doubts. About our abilities, about our words, about our goals. In the weeks leading up to the Aurealis Awards ceremony I honestly gave little thought to the outcome. Occasionally it would cross my mind, and I would swing wildly between 'I have no chance' to 'You never know - after all my story was deemed worthy enough to be a finalist.' In the last few hours leading up to the announcements, however, I must admit the pending result played on my mind quite a bit. I was walking through the streets of London, checking my phone for free wi-fi as I passed coffee shops, updating my newsfeed, and hoping I would be lucky enough to see my name as a winner.
Unfortunately that wasn't to be.
I had the amazing Cat Sparks lined up as my proxy to accept the award (and ensuing free drinks), and despite Cat's assurances I only needed to say "I love youse all", I had written something a little longer than that. My speech included thanks to the publisher, Keith Stevenson, my crit and writing buddy, David McDonald, my best friend, Fenna, and my wife Lindsey.
Was I disappointed I didn't win? Of course. Did I feel cheated? Not in the least. Jason is one mean writer, and it truly was an honour to be shortlisted alongside him and the others. Indeed, congratulations to all winners and other finalists.
And if I've done it once, I can surely get my name on that list again. Surely, I can.
And I do love youse all.
It was an honour to be shortlisted for an Aurealis Award, and it was amazing to have been a finalist along with so many great names - writers I admire and some whose work I have been reading for longer than I can remember. It was a real thrill to have had my story considered worthy.
Awards are a funny thing. Most writers will tell you they're not that important, that they're not the reason we write. Which is certainly true in my case. But they are something many of us long for. I know I would love to receive an award or two. Writing is a solitary endeavour, and contact with our reading audience can be minimal. We might receive an encouraging note or an email, usually from someone we know. We might even be lucky enough to get a positive mention in a review. But an award or nomination, especially for a jury-judged award like the Aurealis, gives us some sense of validation. It makes us feel like maybe we can do this, and maybe we can do it reasonably well.
Many writers, myself included, live with nagging self doubts. About our abilities, about our words, about our goals. In the weeks leading up to the Aurealis Awards ceremony I honestly gave little thought to the outcome. Occasionally it would cross my mind, and I would swing wildly between 'I have no chance' to 'You never know - after all my story was deemed worthy enough to be a finalist.' In the last few hours leading up to the announcements, however, I must admit the pending result played on my mind quite a bit. I was walking through the streets of London, checking my phone for free wi-fi as I passed coffee shops, updating my newsfeed, and hoping I would be lucky enough to see my name as a winner.
Unfortunately that wasn't to be.
I had the amazing Cat Sparks lined up as my proxy to accept the award (and ensuing free drinks), and despite Cat's assurances I only needed to say "I love youse all", I had written something a little longer than that. My speech included thanks to the publisher, Keith Stevenson, my crit and writing buddy, David McDonald, my best friend, Fenna, and my wife Lindsey.
Was I disappointed I didn't win? Of course. Did I feel cheated? Not in the least. Jason is one mean writer, and it truly was an honour to be shortlisted alongside him and the others. Indeed, congratulations to all winners and other finalists.
And if I've done it once, I can surely get my name on that list again. Surely, I can.
And I do love youse all.
Wednesday, July 23, 2014
I Just Don't Get It.
I read a story last week that a whole lot of people raved about that I thought was really average. I was, in fact, seriously underwhelmed.
It's not a new story, it's a few years old. This story won an award and a quick google shows lavish praise from people I respect.
So what am I missing?
We could say it's a matter of taste, and that could be true to some extent. But it has to be more than that. I thought the writing was quite average, and the story was unoriginal and contrived. And yet it was published in a respected market, with a well known editor, and people raved about it.
So what am I missing?
Is it a cultural thing? American author, American publication, American award, and all of the accolades I saw were from Americans. I'd be surprised if that were the case. A lot of my reading is American, and the story was not in a particularly American setting. I also spoke to an American friend who told me she thought it was vastly over-rated. And this was before I'd shared my thoughts on the story.
So what am I missing?
Maybe I'm wrong. Maybe it's me. Maybe it's just not my style. Maybe if I could recognise its brilliance, and write like that, I'd be selling more regularly.
I'll re-read the story tonight, see if I missed something. Or maybe it's more simple than that. Maybe I'm right and everyone else is wrong.
It's not a new story, it's a few years old. This story won an award and a quick google shows lavish praise from people I respect.
So what am I missing?
We could say it's a matter of taste, and that could be true to some extent. But it has to be more than that. I thought the writing was quite average, and the story was unoriginal and contrived. And yet it was published in a respected market, with a well known editor, and people raved about it.
So what am I missing?
Is it a cultural thing? American author, American publication, American award, and all of the accolades I saw were from Americans. I'd be surprised if that were the case. A lot of my reading is American, and the story was not in a particularly American setting. I also spoke to an American friend who told me she thought it was vastly over-rated. And this was before I'd shared my thoughts on the story.
So what am I missing?
Maybe I'm wrong. Maybe it's me. Maybe it's just not my style. Maybe if I could recognise its brilliance, and write like that, I'd be selling more regularly.
I'll re-read the story tonight, see if I missed something. Or maybe it's more simple than that. Maybe I'm right and everyone else is wrong.
Sunday, April 20, 2014
Fandom Will Eat Itself.
The Hugo nominations have been announced, and I'm thrilled to see some friends, acquaintances, and people from my writing group on the list. Congratulations to all those shortlisted.
But already a brouhaha has erupted over some of the nominations.
I'm familiar with some of the so-called 'problems', less so with others. Some of those nominations I agree with, others I don't. And yes, there are a couple at which I took a second look and wondered what people were thinking.
But those are the nominations that have been made by fandom as a whole. And we need to simply accept that.
I must say, however, that on the back of a couple of other public brawls and 'controversies' in the SF world, I am wondering where fandom is headed.
Over the past few years I've been surprised to have had people tell me they were voting on awards with their decision based on a wide range of reasons often not connected with the actual writing. And that seems wrong.
Hey, I've got a novel idea. If you don't like values or themes a story contains, then don't vote for it.
But as for the people? Let's leave differing politics, beliefs, genders, sexual orientations, personalities and the like out of the awards, and vote for the best story/novel/zine/whatever from the shortlists.
But already a brouhaha has erupted over some of the nominations.
I'm familiar with some of the so-called 'problems', less so with others. Some of those nominations I agree with, others I don't. And yes, there are a couple at which I took a second look and wondered what people were thinking.
But those are the nominations that have been made by fandom as a whole. And we need to simply accept that.
I must say, however, that on the back of a couple of other public brawls and 'controversies' in the SF world, I am wondering where fandom is headed.
Over the past few years I've been surprised to have had people tell me they were voting on awards with their decision based on a wide range of reasons often not connected with the actual writing. And that seems wrong.
Hey, I've got a novel idea. If you don't like values or themes a story contains, then don't vote for it.
But as for the people? Let's leave differing politics, beliefs, genders, sexual orientations, personalities and the like out of the awards, and vote for the best story/novel/zine/whatever from the shortlists.
Tuesday, March 11, 2014
Awards And Such.
Awards season is here, and although I don't really feel comfortable promoting myself in this manner, I recognise it is necessary to at least mention which works are eligible for nomination.
For those who are eligible to nominate in both the Ditmar and Chronos Awards (and if you have to ask, you probably aren't), a quick look at my bibliography page will show what was published last year.
I guess the work that received the most recognition is I Was The Walrus, my John Lennon re-incarnation story which was published in the Bram Stoker Award nominated After Death collection. This piece had many favourable reviews, including one in Publishers Weekly.
While I would dearly love to be recognised for my work and the progress I'm making, I would encourage you all to nominate in these awards, and to nominate the works you feel most deserving.
Which, if it happens to be mine, would make me very happy.
Ditmar rules:
Ditmar nominations:
Chronos rules:
Chronos nominations email:
For those who are eligible to nominate in both the Ditmar and Chronos Awards (and if you have to ask, you probably aren't), a quick look at my bibliography page will show what was published last year.
I guess the work that received the most recognition is I Was The Walrus, my John Lennon re-incarnation story which was published in the Bram Stoker Award nominated After Death collection. This piece had many favourable reviews, including one in Publishers Weekly.
While I would dearly love to be recognised for my work and the progress I'm making, I would encourage you all to nominate in these awards, and to nominate the works you feel most deserving.
Which, if it happens to be mine, would make me very happy.
Ditmar rules:
http://wiki.sf.org.au/Ditmar_rules
Ditmar nominations:
http://ditmars.sf.org.au/2014/nominations.html
Chronos rules:
http://confound.wikispot.org/Chronos_Awards
Chronos nominations email:
awards@continuum.org.au
Labels:
after,
awards,
bram stoker,
Chronos Awards,
ditmar awards,
eric j guignard,
i was the walrus,
writing
Sunday, April 28, 2013
Another Good Week?
OK, I didn't win the Ditmar for Best New Talent. That went to my good friend and writing buddy David McDonald. He's definitely a writer to watch. Congratulations, David.
And it was great to see another friend, Thoraiya Dyer, win a Ditmar for her short story. I heard her daughter stole the show at the awards ceremony.
It was great to see a couple of other friends and acquaintances won awards too. Here's the entire list.
Novel: Sea Hearts, Margo Lanagan (Allen & Unwin)
Novella or Novelette: “Sky”, Kaaron Warren (Through Splintered Walls)
Short Story: “The Wisdom of Ants”, Thoraiya Dyer (Clarkesworld 12/12)
Collected Work: Through Splintered Walls, Kaaron Warren (Twelfth Planet)
Artwork: Cover art, Kathleen Jennings, for Midnight and Moonshine (Ticonderoga)
Fan Writer: Tansy Rayner Roberts, for body of work including reviews in Not If You Were The Last Short Story On Earth
Fan Artist: Kathleen Jennings, for body of work including “The Dalek Game” and “The Tamsyn Webb Sketchbook”
Fan Publication: The Writer and the Critic, Kirstyn McDermott and Ian Mond
New Talent: David McDonald
William Atheling Jr. Award for Criticism or Review: Tansy Rayner Roberts, for “Historically Authentic Sexism in Fantasy. Let’s Unpack That.” (Tor.com)
Other awards announced in the ceremony:
Norma K. Hemming Award: Sea Hearts, Margo Lanagan (Allen & Unwin)
Peter McNamara Award: Nick Stathopoulos
Chandler Award: Russell Farr (Ticonderoga)
Congratulations to all.
So why has it been another good week for me? I sold another story and have two more that have been shortlisted. That's got to be good, right?
And it was great to see another friend, Thoraiya Dyer, win a Ditmar for her short story. I heard her daughter stole the show at the awards ceremony.
It was great to see a couple of other friends and acquaintances won awards too. Here's the entire list.
Novel: Sea Hearts, Margo Lanagan (Allen & Unwin)
Novella or Novelette: “Sky”, Kaaron Warren (Through Splintered Walls)
Short Story: “The Wisdom of Ants”, Thoraiya Dyer (Clarkesworld 12/12)
Collected Work: Through Splintered Walls, Kaaron Warren (Twelfth Planet)
Artwork: Cover art, Kathleen Jennings, for Midnight and Moonshine (Ticonderoga)
Fan Writer: Tansy Rayner Roberts, for body of work including reviews in Not If You Were The Last Short Story On Earth
Fan Artist: Kathleen Jennings, for body of work including “The Dalek Game” and “The Tamsyn Webb Sketchbook”
Fan Publication: The Writer and the Critic, Kirstyn McDermott and Ian Mond
New Talent: David McDonald
William Atheling Jr. Award for Criticism or Review: Tansy Rayner Roberts, for “Historically Authentic Sexism in Fantasy. Let’s Unpack That.” (Tor.com)
Other awards announced in the ceremony:
Norma K. Hemming Award: Sea Hearts, Margo Lanagan (Allen & Unwin)
Peter McNamara Award: Nick Stathopoulos
Chandler Award: Russell Farr (Ticonderoga)
Congratulations to all.
So why has it been another good week for me? I sold another story and have two more that have been shortlisted. That's got to be good, right?
Labels:
awards,
David McDonald,
ditmars,
thoraiya dyer,
writing
Tuesday, April 16, 2013
More Award Nominations And Another Sale.
I'm having a great run at the moment.
I've recently posted about this. I had two personal rejections from quality pro-level magazines, a positive review in Publishers Weekly, the release of After Death, a sale to Andromeda Spaceways Inflight Magazine and a nomination for a Ditmar Award.
Then, to top things off, yesterday I received a copy of After Death, and it truly looks fantastic. Congratulations to the editor, Eric J. Guignard. During the afternoon I received word that I'd finally sold my Melbourne vampire-noir story. I'm truly excited about that one. And then late last night I was informed I'd been nominated for two Chronos Awards - Best Short Story for Fireflies (in Epilogue, published by FableCroft) and Best Fan Writer. (For my reviews in Dark Matter and this blog)
Voting for these awards is important. And, of course, I would appreciate any support from anyone who deems my work worthy.
Eligibility and voting information for the Ditmar Awards can be found here.
Eligibility and voting information for the Chronos Awards can be found here.
Congratulations to all the nominees.
I've recently posted about this. I had two personal rejections from quality pro-level magazines, a positive review in Publishers Weekly, the release of After Death, a sale to Andromeda Spaceways Inflight Magazine and a nomination for a Ditmar Award.
Then, to top things off, yesterday I received a copy of After Death, and it truly looks fantastic. Congratulations to the editor, Eric J. Guignard. During the afternoon I received word that I'd finally sold my Melbourne vampire-noir story. I'm truly excited about that one. And then late last night I was informed I'd been nominated for two Chronos Awards - Best Short Story for Fireflies (in Epilogue, published by FableCroft) and Best Fan Writer. (For my reviews in Dark Matter and this blog)
Voting for these awards is important. And, of course, I would appreciate any support from anyone who deems my work worthy.
Eligibility and voting information for the Ditmar Awards can be found here.
Eligibility and voting information for the Chronos Awards can be found here.
Congratulations to all the nominees.
Sunday, April 7, 2013
Now Available.
Don't worry, I'm not going to be mentioning After Death every post, but I do need to let you know it's now available.
The editor of this anthology, Eric J. Guignard (Bram Stoker nominee for his previous collection), has done an amazing job in collecting and whipping these stories into shape. It's already garnering excellent reviews and fantastic comments. This is an anthology not to be missed.
It's available here, here and here.
A reminder of who's in After Death.
Andrew S. Williams — Someone to Remember
David Tallerman — Prisoner of Peace
The editor of this anthology, Eric J. Guignard (Bram Stoker nominee for his previous collection), has done an amazing job in collecting and whipping these stories into shape. It's already garnering excellent reviews and fantastic comments. This is an anthology not to be missed.
It's available here, here and here.
A reminder of who's in After Death.
Andrew S. Williams — Someone to Remember
David Tallerman — Prisoner of Peace
Steve Rasnic Tem — The Last Moments Before Bed
Lisa Morton — The Resurrection Policy
John M. Floyd — High Places
Kelda Crich — Circling the Stones at Fulcrum's Low
David Steffen — I Will Remain
Aaron J. French — Tree of Life
Sanford Allen & Josh Rountree — The Reckless Alternative
Brad C. Hodson — The Thousandth Hell
James S. Dorr — Mall Rats
Ray Cluley — Afterword
Jonathan Shipley — Like a Bat out of Hell
Edward M. Erdelac — Sea of Trees
Jacob Edwards — The Overlander
Bentley Little — My Father Knew Douglas MacArthur
Jamie Lackey — Robot Heaven
John Palisano — Forever
Robert B. Marcus, Jr. — Beyond the Veil
Alvaro Rodriguez — Boy, 7
William Meikle — Be Quiet At The Back
Christine Morgan — A Feast of Meat and Mead
Simon Clark — Hammerhead
Peter Giglio — Cages
Kelly Dunn — Marvel at the Face of Forever
Trevor Denyer — The Unfinished Lunch
Steve Cameron — I Was The Walrus
Larry Hodges — The Devil's Backbone
Benjamin Kane Ethridge — The Death of E. Coli
Emily C. Skaftun — Final Testament of a Weapons Engineer
Joe McKinney — Acclimation Package
Josh Strnad — Hellevator
Allan Izen — In and Out the Window
John Langan — With Max Barry in the Nearer Precincts
Lisa Morton — The Resurrection Policy
John M. Floyd — High Places
Kelda Crich — Circling the Stones at Fulcrum's Low
David Steffen — I Will Remain
Aaron J. French — Tree of Life
Sanford Allen & Josh Rountree — The Reckless Alternative
Brad C. Hodson — The Thousandth Hell
James S. Dorr — Mall Rats
Ray Cluley — Afterword
Jonathan Shipley — Like a Bat out of Hell
Edward M. Erdelac — Sea of Trees
Jacob Edwards — The Overlander
Bentley Little — My Father Knew Douglas MacArthur
Jamie Lackey — Robot Heaven
John Palisano — Forever
Robert B. Marcus, Jr. — Beyond the Veil
Alvaro Rodriguez — Boy, 7
William Meikle — Be Quiet At The Back
Christine Morgan — A Feast of Meat and Mead
Simon Clark — Hammerhead
Peter Giglio — Cages
Kelly Dunn — Marvel at the Face of Forever
Trevor Denyer — The Unfinished Lunch
Steve Cameron — I Was The Walrus
Larry Hodges — The Devil's Backbone
Benjamin Kane Ethridge — The Death of E. Coli
Emily C. Skaftun — Final Testament of a Weapons Engineer
Joe McKinney — Acclimation Package
Josh Strnad — Hellevator
Allan Izen — In and Out the Window
John Langan — With Max Barry in the Nearer Precincts
Labels:
after death,
anthology,
awards,
bram stoker,
eric j guignard,
publishing,
writing
Saturday, March 2, 2013
Shiny Things.
Ditmar and Chronos Award nominations have opened.
I've heard a few people recently complain about these awards. About how they have little value because our pool of writers in Victoria and Australia is too small, about how not enough people vote, and about how blocs of friends voting for friends can unduly influence winning.
While there is some truth in these arguments, and the awards system is not perfect, I truly believe having these awards is vital. And actively encouraging people to vote for them is one way to improve their reputation and legitimacy.
I was fortunate enough to be nominated for both a Ditmar (Best New Talent) and a Chronos (short story) last year. I didn't win either, but it meant a great deal simply to be shortlisted.
A couple of years ago I made the decision not to tout myself for any awards. Not to push, cajole, beg or repeatedly mention my eligibility. I decided I would simply state this once, and then let my work speak for itself.
So this is me, mentioning my work. And, if you believe I'm worthy, I would appreciate your support. I'm eligible for Best New Talent in the Ditmars, and for Short Story in the Chronos. (Particularly for my story, Fireflies)
Ditmar information is available here.
Chronos information is available here.
Thanks.
I've heard a few people recently complain about these awards. About how they have little value because our pool of writers in Victoria and Australia is too small, about how not enough people vote, and about how blocs of friends voting for friends can unduly influence winning.
While there is some truth in these arguments, and the awards system is not perfect, I truly believe having these awards is vital. And actively encouraging people to vote for them is one way to improve their reputation and legitimacy.
I was fortunate enough to be nominated for both a Ditmar (Best New Talent) and a Chronos (short story) last year. I didn't win either, but it meant a great deal simply to be shortlisted.
A couple of years ago I made the decision not to tout myself for any awards. Not to push, cajole, beg or repeatedly mention my eligibility. I decided I would simply state this once, and then let my work speak for itself.
So this is me, mentioning my work. And, if you believe I'm worthy, I would appreciate your support. I'm eligible for Best New Talent in the Ditmars, and for Short Story in the Chronos. (Particularly for my story, Fireflies)
Ditmar information is available here.
Chronos information is available here.
Thanks.
Wednesday, June 20, 2012
Pops Off The Page.
As an English teacher, I see a lot of student work. Not just writing, but work from other subject areas that tend to be displayed around the school - especially work from the creative fields.
I see their artwork, sculptures, photography, design items, dressmaking and sometimes their cooking. I see (and hear) their musical and dramatic performances, and even hear their (often faltering and occasionally amusing) attempts in German.
Last week I visited a gallery of students' photography. I was impressed by a number of pieces, but as I left I realised there were a couple of photos that stood out way above the rest. Photos that very obiously had a certain something. Not just good, but artistic. The difference between a person who takes photos and an artist. And this is something I see in my students' writing all the time. One or two pieces of writing that 'pops off the page'. The narrative may be immature, the grammar or spelling weak, but I can see something there that draws me in.
I see it in other writers' work as well. And I see some writers who can barely string a sentence together.
Why are we so unaware of our own abilities? I know I waver (and sometimes swing wildly) between thinking I can write and then (usually after reading someone else's brilliant work) thinking my words are illiterate ramblings.
Maybe this is why, as writers, we need external endorsement and validation. Awards nominations, sales, a kind and encouraging word from a peer (or better yet from someone we look up to), and even positive feedback in a rejection slip.
I have some idea of my strengths in my writing. I'm also developing a discernment, an understanding of areas in which I need to develop. And I continue to work at improving all areas of my fiction.
And it is improving. I have external benchmarks that assure me of this. If only I had more time to write more frequently.
I see their artwork, sculptures, photography, design items, dressmaking and sometimes their cooking. I see (and hear) their musical and dramatic performances, and even hear their (often faltering and occasionally amusing) attempts in German.
Last week I visited a gallery of students' photography. I was impressed by a number of pieces, but as I left I realised there were a couple of photos that stood out way above the rest. Photos that very obiously had a certain something. Not just good, but artistic. The difference between a person who takes photos and an artist. And this is something I see in my students' writing all the time. One or two pieces of writing that 'pops off the page'. The narrative may be immature, the grammar or spelling weak, but I can see something there that draws me in.
I see it in other writers' work as well. And I see some writers who can barely string a sentence together.
Why are we so unaware of our own abilities? I know I waver (and sometimes swing wildly) between thinking I can write and then (usually after reading someone else's brilliant work) thinking my words are illiterate ramblings.
Maybe this is why, as writers, we need external endorsement and validation. Awards nominations, sales, a kind and encouraging word from a peer (or better yet from someone we look up to), and even positive feedback in a rejection slip.
I have some idea of my strengths in my writing. I'm also developing a discernment, an understanding of areas in which I need to develop. And I continue to work at improving all areas of my fiction.
And it is improving. I have external benchmarks that assure me of this. If only I had more time to write more frequently.
Sunday, March 18, 2012
Wabbit Season? No, It's Awards Season!
Chronos Award nominations close today, Ditmar Award nominations have just opened and Aurealis Awards short-lists should be announced soon.
Yep, we're right in the middle of awards seasons.
The Aurealis Awards are judged by panels, and are (hopefully) awarded on the merit of the work. Ditmar Awards (national) and Chronos Awards (state) are voted by conventioneers.
So just how much is a writer supposed to tout his or her own work?
I know of some writers who push their work quite a bit, while others sit back and just hope they are noticed. I'm eligible for So Sad, The Lighthouse Keeper in the short story category, and for my reviewing in Dark Matter in the Fan Writing and Review categories. I've tried to mention the awards only once or so, and pretty much simply to remind voters I'm eligible (anyone in fandom can nominate). And then I sat back and hoped for the best.
The Chronos Awards, being state awards, are drawn from a fairly small pool of writers. I've also seen some criticism of these awards - suggesting they are given for popularity, or voted on by certain blocs. Already this year I've heard someone say they have nominated someone they like, without having actually read the work under consideration. That's just something we have to accept, and realise that this will occur from time to time. While this is obviously not in the spirit of things, it's the way things are. All we can do is is promote the awards, get more people to nominate and vote, and encourage voters to vote on the merits of the work.
I'm not going to be heartbroken if I'm not nominated. Awards, in the end, don't always reward quality work or success. But they can be a sign of recognition and give some validation. And I love the look of the Chronos.
It would look mighty handsome sitting on my desk.
Yep, we're right in the middle of awards seasons.
The Aurealis Awards are judged by panels, and are (hopefully) awarded on the merit of the work. Ditmar Awards (national) and Chronos Awards (state) are voted by conventioneers.
So just how much is a writer supposed to tout his or her own work?
I know of some writers who push their work quite a bit, while others sit back and just hope they are noticed. I'm eligible for So Sad, The Lighthouse Keeper in the short story category, and for my reviewing in Dark Matter in the Fan Writing and Review categories. I've tried to mention the awards only once or so, and pretty much simply to remind voters I'm eligible (anyone in fandom can nominate). And then I sat back and hoped for the best.
The Chronos Awards, being state awards, are drawn from a fairly small pool of writers. I've also seen some criticism of these awards - suggesting they are given for popularity, or voted on by certain blocs. Already this year I've heard someone say they have nominated someone they like, without having actually read the work under consideration. That's just something we have to accept, and realise that this will occur from time to time. While this is obviously not in the spirit of things, it's the way things are. All we can do is is promote the awards, get more people to nominate and vote, and encourage voters to vote on the merits of the work.
I'm not going to be heartbroken if I'm not nominated. Awards, in the end, don't always reward quality work or success. But they can be a sign of recognition and give some validation. And I love the look of the Chronos.
It would look mighty handsome sitting on my desk.
Labels:
aurealis,
awards,
Chronos,
Ditmar,
so sad the lighthouse keeper
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